The tomb of the Renaissance artist Sandro Botticelli inside the Ognissanti Abbey Church in the heart of Florence. of 2. Browse Getty Images' premium collection of high-quality, authentic Sandro Botticelli La Primavera stock photos, royalty-free images, and pictures. Sandro Botticelli La Primavera stock photos are available in a variety of sizes.. Title: La Primavera (Spring) Creator: Botticelli Filipepi. Creator Death Place: Firenze (Italy) Creator Birth Place: Firenze (Italy) Date Created: 1481 - 1482. Style: Renaissance/ Mythological scene. Provenance: Lorenzo and Giovanni di Pierfrancesco de' Medici family collections. Physical Dimensions: w3140 x h2030 mm. Original Title: La Primavera.
Sandro Botticelli, detail from 'La Primavera An Allegory of Spring'' c.1482 Italian
La Primavera detail Sandro Botticelli Tempera on panel, ca 1482 Uffizi Gallery, Florence Art
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Sandro BotticelliPrimavera(dettaglio) 1482 circa, tempera su tavola, 203×314 cm, Firenze
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Sandro BotticelliPrimavera(dettaglio) 1482 circa, tempera su tavola, 203×314 cm, Firenze
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Primavera, aka Allegory of Spring, is a tempera panel painting by Italian Renaissance artist
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Primavera, Center Section, By Botticelli, C. 1478, Uffizi Gallery, Florence, Italy Wall Art
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Primavera, Face Of Flora, By Botticelli, C. 1478, Uffizi Gallery, Florence, Italy Wall Art
Sandro Botticelli: Primavera Artist: Sandro Botticelli (1445-1510) Alternative names: Birth name: Allessandro Filipepi Sandro Filipepi Alessandro di Mariano Filipepi Alessandro di Mariano Filipepi Botticelli. Description: Italian painter, drawer, architectural draftsperson and fresco painter. La Primavera " " Series title.. When one thinks of a work of art that succeeds in embodying the essence of spring, probably the image that will most easily come to mind will be that of Botticelli's Primavera , at the risk of being a bit trite.Few paintings, however, have reached the status of universal icon like the splendid panel painted around 1480 by Sandro Botticelli (Alessandro di Mariano di Vanni Filipepi; Florence.
